In Coralie Fargeat's new feminist horror film The Substance, hazardous social charm requirements are the real creatures. They (women objectification, the disposal of "the old," the expansion of a market improved physical body adjustment) nourish a beast of a cycle that leads Demi Moore's fading television personality character Elisabeth https://giantclips.fireblogz.com/61317882/margaret-qualley-the-substance
The Substance (2024)
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